How to Start a Costume Design Business
A costume designer designs, sources, and creates the clothing
and accessories worn by the characters in a film, series, or
theatrical production. Their main job is to telegraph who a
character is via what they′re wearing. A costume is one of the
first things viewers see, and it gives audiences an idea of the
story that′s about to unfold.
A costume designer’s day is a long, demanding one. During
preproduction, they read the script, take notes, and analyze the
plot, tone, and setting of the project. They also coordinate
daily responsibilities, schedules, and deadlines for the
production team, and are hands-on during fittings.
Though
the design portion of a costumer’s job is technically finished
once the cameras are rolling, they’re always on standby—and
usually on set during production. “Every day you need to use the
costume breakdown to set out the clothing you have been
preparing” for the scenes being shot.
To achieve this, costume designers—who head the wardrobe
department and are responsible for staffing and managing the
team—must tap into their inner psychologist, sociologist,
researcher, historian, and actor. Juggling these roles helps
them to design, create, compile, and fit the most appropriate
outfits and accessories to each character to serve the needs of
the narrative and the director’s vision.
What’s
the difference between a costume designer and a fashion
designer?
Although both positions involve designing clothing, fashion
designers create items that are sold to and worn by the general
public. Costume designers, on the other hand, specialize in
crafting clothing for film, TV, and theatrical productions.
Analysis: Costume designers analyze the script, talk to the
director, and put together visual references before designing
and assembling looks.
Research:
After reading the script and discussing it with the creative and
production teams, the costume designer researches relevant
fashion history and trends. While period pieces require specific
study to accurately reflect and immerse the audience in the
past, the research phase knows no bounds—especially when it
comes to the types of settings depicted in sci-fi and fantasy
films. The looks of speculative fiction projects are often
pulled from historical architecture and garments. For
contemporary pieces, the designer must dig into the culture and
vibe of the story’s setting.
Designing: The designer’s research and prep work often
correlates with the creation of sketches, fabric samples,
digital renderings, and mood boards that show the types of
clothing, materials, and patterns they think fit the project.
Planning: The designer then sketches or makes digital renderings
for the costume plot, which lists characters and tracks their
costumes, scene-by-scene. The sketches and blueprints are
presented to the director and other stakeholders, such as the
director of photography, the production designer, and members of
the hair and makeup departments. Sometimes adjustments need to
be made to accommodate a budget restriction, a specific actor,
or stunt rigging.
Production: Once their ideas get the go-ahead from the
production team and director, it’s time for a costume designer
to track down and/or create every shirt, dress, necklace, and
hat worn by every single actor—all while ensuring the costumes
can help the actors better understand their characters. “An
actor walks into a fitting, and you are there to help them find
the character,
Education: Costume designers generally come to the position from
varying educational backgrounds. Many enter from other fields,
including fashion, theatrical design, acting, and graphic
design, there is
“no sign-up sheet; there’s no [bulleted] list; there’s no single
route that any individual designer takes to get where they are….
Every single person comes into it from a different point.”
Experience:
A common career path for costume designers is to start out as a
costume assistant or wardrobe trainee and climb the ladder to
second assistant costume designer, assistant costume designer,
and finally costume supervisor before landing the top gig. This
route provides you experience with textiles, sewing,
pattern-making, and fitting.
Creative: Costume designers should be skilled in drawing,
possess strong creative instincts, be detail-oriented, and have
a strong grasp of color and design.
A costume designer’s job is to visually telegraph who a
character is by what they’re wearing.
Good at research: Dedication to researching history, filmmaking,
photography, literature, architecture, writing, character
development, and story structure allows costume designers to
build extensive knowledge of period costumes and accessories.
Organized:
Costume designers must stay on top of hundreds of different
tasks, deadlines, and quick fixes; working under pressure is
inevitable.
A costume design portfolio that showcases previous work is key
to booking jobs. No matter the position, a portfolio submission
will be required, so it’s wise to have one ready to go. Include
fully built wardrobes, fabric samples, sketches, mood boards,
photographs, and videos. Be sure to include samples from every
stage of the process, from initial sketches to images of the
finished product, to illustrate how you work. If possible,
include designs across mediums, genres, and time periods to
showcase your versatility, imagination, creativity, and
knowledge.
The
average costume designer's earn between N500k to N10m per Movie.
However, top costume designers can make nearly N20 to N50M,
according to Comparably. Your total earnings will depend on
experience, the size and budget of the productions you design
for, frequency of work, and location. Guild members working on
union productions are entitled to standardized rates.
You can get our practical training guide, If you’ve ever aspired
to become a Costume designer and immerse yourself in the art of
filmmaking, this comprehensive guide will illuminate the path to
achieving your
dreams. We’ll explore the multifaceted world of Film making,
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into the diverse career opportunities available in this dynamic
field. From the fundamental requirements to the creative skills
that set designers apart, we’ll navigate the exciting journey of
how to become a designer and embark on a career filled with
artistic expression, storytelling prowess, and cinematic magic.
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One on one practical training with ongoing support
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